Hints for Summer Photography

0141.  DSC_3093Here are Marg’s hints from the June meeting:

Tip 1: Same Place, Different Time:
It’s time to master light.  Your photography will improve in leaps and bounds with the mastering of one specific element – Timing.  Knowing where the sun sets, where the sun rises and how this light will illuminate various subjects during different times of day will help you master your timing.  The sun rises in the East and sets in the West, if you know which direction you are facing when the sun is directly above you, you’ll have a better idea what time of day to photograph any interesting subjects or scenes you may find.  There is a program that you can download, called “The Photographer’s Ephemeris“, that allows you to find out exactly where the sun will be at any given time.  This is priceless if you are visiting a place that you may never return to in the future.

Tip 2:  Be Specific.  Don’t Spray and Pray
Do you need a fresh 16 GB SD card every time you take a photo walk?  Maybe you take 100 photographs in the hoped that one will end up being acceptable.  Before you take a photograph ask yourself if it’s really that interesting.  Is it throwing a unique shadow? Does the light hit it in a way that will catch viewer’s eyes?  This summer, challenge yourself to contemplate each shot. Think about whether or not it is interesting enough to take the time to photograph.  What you will find is that you will take the time to contemplate a shot before you press the shutter.  You’ll have less overall shots but more”keepers”. While it can be tempting to capture everything your eyes see, with photography less is definitely more.

Tip 3:  Use a Different Focal Length
Get out of your comfort zone and force yourself to use a different focal length this summer.  If you don’t have multiple lenses then use a different focal length on your zoom. By doing this you are forcing yourself to think before you shoot and also forcing yourself to compose the image in your mind before ever putting the viewfinder up to your little peepers.  By zooming in and out and moving left and right, you remove anything from the frame that doesn’t compliment your subject.

Tip 4:  Roam Free Like Buffalo
Get off the beaten path.  The summer’s dry weather creates safer hiking conditions as well as longer days, which allow us to venture further off the beaten path without worry of being eaten by wolves in the dark.

Tip 5:  Photograph in Bad weather
Bad weather can be a bummer, moods get bent and plans are spoiled.  Take advantage of the warmer weather and plan a photo outing next time the weather looks foul.  Plan to visit places that are normally bustling with people for an opportunity to capture unique shots.  Beaches are great places to go right before or after a storm, the ominous clouds and rolling fog create dramatic scenery. Be sure to be prepared for rain, and/or strong wind and sand from damaging your precious gear.  Try not to change lenses in windy, sandy and wet conditions.

Summer photograph offers hundreds of opportunities to practice photography morning, noon and night.  The weather is warmer and the days longer. Don’t just look – see.

Improving Landscape/Aerial Photographs by John Williamson

demo01John Williamson’s notes from his presentation on Improving Landscape/Aerial Photographs are available here.

Here are links to the original photo and the Photoshop Elements Photoshop Elements psd file John created will so you can download the files and try the techniques yourself. Note that the psd file is stored on google drive. To download, left click on the above link then click on the blue “Download” button,

This article from Adobe explains how to remove haze using the haze filter built into the latest versions of Photoshop and Lightroom.

93 Days of Spring

National Geographic nature photographer Jim Brandenberg shot a series of images, one for each day of spring in his native Minnesota.  You can see the slide show here. It goes by very quickly so you might want to keep your mouse poised over the pause button in the lower left corner.

This is a recent posting on Proof which National Geographic describes as:

Proof is National Geographic’s online photography journal. We showcase the voices of National Geographic photographers and editors to offer a behind-the-scenes look at the visual storytelling process. Proof also features work from emerging photographers, books, galleries, and portfolios across the web. We aim to present an ongoing conversation about photography, art, journalism, and the people who create it.

Monthly Photo Topics

At the latest meeting of the camera club executive, topics for the summer and for the 2016/2017 season were selected. In order to give members plenty of time to think about them, they are:

Shooting Month Topic Submit by Meeting
May Kanata May 29 Jun 03
Jun…Aug Summer/Water/Gardens Aug 28 Sep 9
Sep Movement Sep 30 Oct 7
Oct Autumn Oct 28 Nov 4
Nov Black & White Nov 25 Dec 2
Dec Best of 2016 Dec 30 Jan 6
Jan Contemplative Jan 27 Feb 3
Feb Light Feb 24 Mar 3
Mar Fixed in Post Mar 31 Apr 7
Apr Nature Apr 28 May 5
May Best Ever May 26 Jun 2

The December topic to be reviewed at the January meeting will be your best three photos from 2016. The March topic to be reviewed at the April meeting will be two versions of two photos as they came out of the camera and after they’ve been edited for presentation (total of 4 images). The May topic to be reviewed at the June meeting will be the three best photos you’ve ever taken.

Remember that, if you don’t like the proposed topic any month, you can submit photos with a topic of your own choosing.

Camera Club Executive 2016/2017

With the recent changes in the camera club executive, we thought it was time to show you who we were.

exec_2016_2017.jpg

Standing (L to R) Catherine Easton (monthly slideshows), Bill Robertson (shutterBUG and website), Louise Robert (backup Gallery), Sue Carey (Gallery & backup slideshow), and Amy Lo (membership). Seated (L to R) Frank Knor, and Mike Eva (chairman). Missing from the picture is Stuart Moxley who has agreed to act as our backup tech support person.