The featured presenter at our December 6th meeting will be Henry Fernando speaking on “Contemplative Photography”.
From Henry’s website:
Henry Fernando is a photographer based in Ottawa, Canada. His two great passions in life are travel and photography. He believes that travel helps him discover a lot about himself. It provides him with a whole new perspective and understanding of this phenomenal world that we live in. Travel provides him not only with a sense of adventure, but it also opens doors to culture that do not revolve around fast food and social media.
Though originally trained in Biochemistry and later as an IT manager, he was always interested in photography. He experienced a renewed enthusiasm and appreciation for photography after taking a workshop in Contemplative Photography. The workshop opened his eyes to the rich and vivid colour and texture of the world around us.
Henry is trained in Contemplative Photography and studied Zen, Miksang, and Tao contemplative photography.
The featured speaker at our meeting on November 1st will be club member Manfred Mueller. His presentation will be on creativity.
Manfred is an award-winning
Kanata based photographer. In addition
to being a member of the KSCCC executive, he is currently the Chair of the RA
Photo Club. He teaches at various Ottawa photo clubs and has been a guest
speaker at Ottawa’s La Cité Community College photography program for the past few
He has studied
photography at Conestoga College in Kitchener, Algonquin College and the School
of Photographic Arts – Ottawa (SPAO). He is a member of Canadian Association for
Photographic Art (CAPA) and the Photographic Society of America (PSA). His work has been published in Canadian
Geographic and the Ottawa Business Journal.
Manfred is a photographic judge and has recently completed his national
level CAPA certification requirements.
As an avid travel photographer and has
visited almost 60 different countries, often in very remote or challenging
locations. When he is not on the road,
he shoots local landscapes, urban scenes and people. He works in the photo studio and uses studio
lighting during on-location shoots.
Manfred is a retired professional
engineer who spent several decades leading design teams in Canada and abroad. While most people will not see the work that
engineers, architects and industrial designers as art, creativity is a critical
factor in ensuring their projects are successful. In his talk will demonstrate how a workflow
that is commonly used by design professionals translates into successful
photographic projects. A project can be
as simple as a KSCCC Monthly Challenge to planning and executing a shoot in
challenging and exotic locations around the world.
The featured speaker at our meeting on April 5th will be Danielle Barabé-Bussières
Click on the above to enlarge
Danielle Barabé-Bussières learns photography every day by watching tutorials, researching photography projects and gets some of her inspiration from great photographers. Danielle likes to explore nature, flowers, wildlife and is very passionate about macro photography. In the recent years, her images have earned several awards in Provincial and National competitions with the Professional Photographers of Canada (PPOC). Recently, Danielle has participated in the National Image competition and is a “finalist” for the prestigious title of Photographic artist of the year with the PPOC. She is very devoted to photography and she worked hard to achieve a professional level. She is also very involved with artists’ associations and takes every opportunity offered to her to display her art in the Ottawa area and surroundings.
To learn more about Danielle and to see more of her beautiful images, visit her website. To see the slides she showed describing her equipment, settings, software, tips, and contact information, click here.
In a recent discussion about creativity, club member Sue Carey said:
It is not only, or always, the most exotic trip, or the most Photoshopped photo that has the greatest impact. One does not have to risk life and limb in the winter, or go on exotic trips, to ‘get the shot’. It may encourage all members to look and play with their camera, within a meter of where they are.
Sue recommended this exercise from Freeman Patterson to stimulate creativity:
The best place in the world to SEE is wherever you are.
Time and again I’ve had somebody ask me the question “Where’s a good place to make pictures?” The translation is: “Where can I photograph my preconceptions?” Answering this question is one of the best ways I know to stand still creatively. It’s rather like taking a bus tour to Washington, D.C. to see the cherry blossoms without ever having noticed the beauty of the wild flowers (weeds) in your back yard.
Long ago I came to realize that a good, simple exercise for improving a person’s ability to see is to ask a friend to pick a number, let’s say between 20 and 50 (perhaps 36) and a direction “left,” “right,” or “straight ahead,” then to take 36 steps in the given direction and stop. Using your camera or your smartphone make a minimum of 30 thoughtful compositions in that place (staying within a circle no wider than a metre.) Beginning is easy, as you’ll photograph things you always notice in ways you always see them. However, if you feel like tearing out your hair after struggling to “see” more than 15 or 18 good pictures, you can be almost certain that persisting will reward you with a visual breakthrough.
You have to get on the other side of your normal ways of seeing, to challenge your perfectly natural need to label everything in order to see what’s there, to see in ways you’ve never seen before.
The challenge is often hard, but the achievement is always exhilarating. Give this exercise a serious try at least once a month – especially right around home where everything is so familiar you don’t see it. This is a great exercise, not just for photographers, but for everybody who wants to be more observant.
I made the photograph on page one and the three that follow at spots I move through so often that, every now and then, I make a conscious effort to observe them carefully in order to “see” what normally doesn’t register at all.