Note that this article originally appeared in the May 2016 issue of the shutterBUG.
Photographing glass can be an exciting, and sometimes frustrating, exercise. When light strikes a glass object three different things can happen: 1-light can be transmitted; 2-it can be reflected; and 3-it can bend (refraction). These three unique properties of light need to be considered when attempting to photograph a glass object.
There are two main techniques for photographing glass. The overall goal of either technique is to define the contours at the edges of a glass object. Each technique is defined by the way light is seen at the edge of the glass, either as black lines or as white lines. Continue reading “Photographing Glass”
At our meeting on June 1, Ron Pierce gave an excellent presentation on Table Top Photography. You can review his notes here.
Here are five videos I chose with tips on tabletop photography:
Here are some videos I chose with tips on choosing the right lens:
Frank Knor found this online directory of photography workshops and tours that he wanted to share with the club. It has also been added to our links page.
At our March 6th meeting, Jim Leask demonstrated how to easily and quickly copy slides using a DSLR, an off camera flash and a slide adapter. You can review his notes here.
The adapter he used to hold the slide in front of his camera is a Nikon ES-1 and is available from Henry’s. Note that it is a 52mm thread so you may need an adapter for your lens. Note also that, if you don’t already own a suitable macro lens, you can use extension tubes to adapt whatever lens you have to close focus.
Our recent monthly photo assignment was about making an image look like it was taken years ago.
During the review, Ron Pearce explained how he composited his original image:
with this texture:
and this photograph of an antique photo mat:
to come up with the image he submitted .
If you have Photoshop, an easy way to make an antique version of an image is described in this video by Gavin Hoey. He provides a Photoshop Action and a collection of brushes (which can also be used with Photoshop Elements) which I used to create my submission.
Carol Brown created her own texture by photographing a crumpled brown paper bag, and adding it as a transparent layer using Photoshop to create her submission.
Several members reported that they used the Time Machine effect in Corel’s Paint Shop Pro to make antique versions of their images. A 30 day free trial is available if you want to try it out.
Here are some videos I chose with tips on portrait photography:
RicharD Murphy has provided a copy of the slides from his March 2nd presentation on Digital Asset Management which you can review here.
He also made these recommendations for bulk file renaming programs:
- Renaming software for PC:
- Renaming software for Mac:
- Rename (discontinued – still works great)
- Mac OS X Yosemite and newer will rename files in bulk via the Finder. Select files to rename, Right Click ( Command Click ) and choose ‘Rename Items’
- Also, Adobe Bridge will batch rename files on both Mac & PC, and Lightroom can rename files on import.
Thanks again RicharD.
If you’re a Mac user and want to submit photos from iPhoto for a monthly gallery, a challenge, or a shootout, club member Maureen Carrier has documented the procedure she uses:
- Select your picture in iPhoto
- From menu bar, select “File”, “Export”
- Chose “Maximum” quality and “Full Size” and “Use title” then hit “Export”
- Then you will see: “Save As”. Choose your title which must include your name, e.g., “Roses by Maureen Carrier” if you want your photo to appear on the club website
- Choose “Desktop” as your location, then “OK”
- Open Mail and create a message to firstname.lastname@example.org
- Choose “Attach “on your email and select your picture from the desktop by highlighting it and “Choose File”
The name will not show up on the email but it’s embedded in the picture and will appear when the recipient opens it